II - Encounter | Fine Art Print

II - Encounter | Fine Art Print

In the silent counterpart | SERIES: BLOSSOM BEINGS / 21 × 29.7 cm / 8 × 12"
79,– €
Sale price  79,– € Regular price 
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II - Encounter | Fine Art Print

II - Encounter | Fine Art Print

79,– €
Sale price  79,– € Regular price 
SubjectIn the silent counterpart | SERIES: BLOSSOM BEINGS

✓ High-resolution original photograph by Anna Lea Theodocion · produced as a fine art edition
✓ High-quality, gallery-grade materials

✓ Individually made to order
✓ Free delivery within Germany

Material & Print Quality

Our natural white, uncoated "Master's Edition" paper combines a fine surface with high-quality giclée printing for detailed, long-lasting, museum-quality reproduction.

• 250 gsm fine art paper
• Matte, uncoated & natural white
• Acid-free & FSC-certified
• White gallery border included as part of the print

Certificate of authenticity included

Each piece comes with a specially designed artwork card from Theodocion Fine Art, serving as a connection between the work, the studio, and its history.

Availability depends on the country of delivery and production location.

Origin of the motif

At the Kaiserstuhl · Spring

Photographed by Anna Lea Theodocion at the Kaiserstuhl. The work originates from two red tulips, which were initially captured as part of a natural garden scene. For “II – Encounter,” the two blossoms were removed from their original environment and placed against a muted, olive-colored pictorial space. Their differing heights, degrees of opening, and postures were deliberately preserved. This initial observation of the two flowers thus forms the basis for the reduced composition of the second work in the “Blossom Being” series.

About the Artist

Anna Lea Theodocion combines fine art photography with a poetic visual language. From nature, architecture, and light, she creates serene pictorial worlds of timeless presence.

More about the artist →

“II – Encounter” brings two floral forms into a silent dialogue. Against the deep olive background, the blossoms emerge as distinct figures, differing in height, aperture, and posture, while simultaneously being visibly related to one another. A space of tension arises between them, characterized by both proximity and distance. The larger blossom appears collected and upright, the smaller one more open and closer to the viewer. Neither is reduced to a mere complement of the other; both maintain their own presence. In this way, the botanical form becomes a counterpart. “Encounter” views relationship not as fusion, but as a silent coexistence, in which independence and connection exist simultaneously. As the second work in the “Blossom Beings” series, “Encounter” follows “I – Appearance”: what first emerges from silence as a single figure now encounters a second.


On the Blossom Beings series

“Blossom Beings” examines floral forms beyond their purely botanical appearance. Removed from their natural environment, they emerge as independent pictorial figures, situated between form and surface, proximity and detachment, nature and inner vision. “Encounter” carries this idea further, as the single appearance evolves into a silent counterpart.

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