I - Ember | Framed Fine Art Print

I - Ember | Framed Fine Art Print

A Quiet Burn | SERIES: ROSARY DEVOTION / 21 × 29.7 cm / 8 × 12" / Frame white
165,– €
Sale price  165,– € Regular price 
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I - Ember | Framed Fine Art Print

I - Ember | Framed Fine Art Print

165,– €
Sale price  165,– € Regular price 
SubjectA Quiet Burn | SERIES: ROSARY DEVOTION

✓ High-resolution original photograph by Anna Lea Theodocion · produced as a fine art edition
✓ High-quality, gallery-grade materials

✓ Individually made to order
✓ Free delivery within Germany

Material & Print Quality

The fine art print on high-quality "Master’s Edition" paper is presented in an oak or ash frame and protected by shatterproof plexiglass.

• 250 g/m² museum-quality fine art paper
• Oak or ash frame, 20 mm
• Shatterproof plexiglass
• Hanging kit included

Work card included

The artwork comes with a specially designed work card from Theodocion Fine Art, serving as a connection between the piece, the studio, and its history.

Availability depends on the delivery country and production location.

Origin of the motif

At the Kaiserstuhl · Early Summer

Photographed by Anna Lea Theodocion in her grandmother's garden. The rose was captured in the warm evening light, which makes its red petals stand out against the dark green. The shot captures a quiet moment between light and shadow while preserving the memory of a familiar place. "I – Ember" forms the starting point of the series "Rose Devotion" and was created before the two later white rose motifs "II – Stillness" and "III – Unfolding".

About the Artist

Anna Lea Theodocion combines fine art photography with a poetic visual language. From nature, architecture, and light, she creates serene pictorial worlds of timeless presence.

More about the artist →

“I – Ember” emerges from the darkness. The deep red of the rose and the warm light lend it a restrained intensity, like a silent burning that asserts itself against the surrounding darkness. As the first work of “Rose Devotion,” “Ember” stands for warmth, vitality, and presence. The light is still bound to color and physicality. In the two following white roses, it increasingly becomes the defining element of the series.

 

As a triptych

“I – Ember” opens “Rose Devotion.” From its warmth and chromatic intensity, a movement develops that leads through the introspection of “II – Silence” to the light-filled “III – Unfolding.” Thus, the triptych begins in the deep red of the rose and, work by work, opens itself to the light.

CURATED FOR QUIET SPACES