II - Encounter | Framed Fine Art Print

II - Encounter | Framed Fine Art Print

In silent opposition | SERIES: BLOSSOM BEINGS / 21 × 29.7 cm / 8 × 12" / Frame white
165,– €
Sale price  165,– € Regular price 
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II - Encounter | Framed Fine Art Print

II - Encounter | Framed Fine Art Print

165,– €
Sale price  165,– € Regular price 
SubjectIn silent opposition | SERIES: BLOSSOM BEINGS

✓ High-resolution original photograph by Anna Lea Theodocion · produced as a fine art edition
✓ High-quality, gallery-grade materials

✓ Individually made to order
✓ Free delivery within Germany

Material & Print Quality

The fine art print on high-quality "Master’s Edition" paper is presented in an oak or ash frame and protected by shatterproof plexiglass.

• 250 g/m² museum-quality fine art paper
• Oak or ash frame, 20 mm
• Shatterproof plexiglass
• Hanging kit included

Work card included

The artwork comes with a specially designed work card from Theodocion Fine Art, serving as a connection between the piece, the studio, and its history.

Availability depends on the delivery country and production location.

Origin of the motif

At the Kaiserstuhl · Spring

Photographed by Anna Lea Theodocion at the Kaiserstuhl. The work originates from two red tulips, which were initially captured as part of a natural garden scene. For "II – Encounter," the two blossoms were removed from their original environment and placed against a subdued, olive-colored pictorial space. Their differing heights, degrees of opening, and postures were deliberately preserved. The original observation of the two flowers thus forms the basis for the reduced composition of the second work in the "Floral Beings" series.

About the Artist

Anna Lea Theodocion combines fine art photography with a poetic visual language. From nature, architecture, and light, she creates serene pictorial worlds of timeless presence.

More about the artist →

“II – Encounter” brings two floral forms into a silent dialogue. Against the deep olive background, the blossoms emerge as independent figures, differing in height, opening, and posture, yet visibly related to one another. A space of tension between proximity and distance arises between them. The larger blossom appears composed and upright, the smaller one more open and closer to the viewer. Neither becomes a mere complement to the other; both retain their own presence. Thus, the botanical form becomes a counterpart. “Encounter” views relationship not as a merging, but as a silent side-by-side, in which independence and connection coexist. As the second work in the “Blossom Beings” series, “Encounter” follows “I – Appearance”: what first emerges from the silence as a single figure now encounters a second.


On the Blossom Beings series

“Blossom Beings” views floral forms beyond their purely botanical appearance. Removed from their natural environment, they emerge as independent pictorial figures, caught between body and surface, proximity and detachment, nature and inner vision. “Encounter” carries this idea further, as the individual appearance develops into a silent counterpart.

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