II - Silence | Fine Art Print

II - Silence | Fine Art Print

A Silent Radiance | SERIES: ROSE DEVOTION / 21 × 29.7 cm / 8 × 12"
79,– €
79,– €
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II - Silence | Fine Art Print
  • II - Silence | Fine Art Print
  • II - Silence | Fine Art Print
  • II - Silence | Fine Art Print
  • II - Silence | Fine Art Print
  • II - Silence | Fine Art Print
  • II - Silence | Fine Art Print
  • II - Silence | Fine Art Print
  • II - Silence | Fine Art Print
  • II - Silence | Fine Art Print
  • II - Silence | Fine Art Print
  • II - Silence | Fine Art Print
  • II - Silence | Fine Art Print
  • II - Silence | Fine Art Print
  • II - Silence | Fine Art Print
  • II - Silence | Fine Art Print
  • II - Silence | Fine Art Print
  • II - Silence | Fine Art Print
  • II - Silence | Fine Art Print
  • II - Silence | Fine Art Print
  • II - Silence | Fine Art Print
  • II - Silence | Fine Art Print
  • II - Silence | Fine Art Print
  • II - Silence | Fine Art Print
  • II - Silence | Fine Art Print
II - Silence | Fine Art Print

II - Silence | Fine Art Print

79,– €
79,– €
SubjectA Silent Radiance | SERIES: ROSE DEVOTION

✓ High-resolution original photograph by Anna Lea Theodocion · produced as a fine art edition
✓ High-quality, gallery-grade materials

✓ Individually made to order
✓ Free delivery within Germany
Material & Print Quality

Our natural white, uncoated "Master's Edition" paper combines a fine surface with high-quality giclée printing for detailed, long-lasting, museum-quality reproduction.

• 250 gsm fine art paper
• Matte, uncoated & natural white
• Acid-free & FSC-certified
• White gallery border included as part of the print

Certificate of authenticity included

Each piece comes with a specially designed artwork card from Theodocion Fine Art, serving as a connection between the work, the studio, and its history.

Availability depends on the country of delivery and production location.
Origin of the motif

At the Kaiserstuhl · Summer

Photographed by Anna Lea Theodocion in her grandmother’s garden. “II – Stillness” was created around the same time as “III – Unfolding” and shortly before the death of her cat, with whom the artist had a deep bond. During this same period, she was engaging with Hegel’s description of the “being of light” in the Phenomenology of Spirit. Encountering this idea shaped her perception of light and darkness in both photographs. In “II – Stillness,” the white rose appears restrained and almost floating against the dark green. The photograph thus became a silent image between presence, memory, and transience.
About the Artist

Anna Lea Theodocion combines fine art photography with a poetic visual language. From nature, architecture, and light, she creates serene pictorial worlds of timeless presence.

More about the artist →

“II – Silence” shows the white rose in a moment of reflection. Its bright petals emerge gently from the dark green, appearing like a quiet glow. Unlike the warmth of “I – Ember,” the light here seems restrained and almost disembodied. The rose forms a transition: between darkness and light, presence and transience, intensity and introspection. Its stillness prepares for that opening which takes place in the concluding work, “III – Unfolding.”

As a triptych

As the tranquil center of “Rose Devotion,” “II – Silence” takes the intensity of “I – Ember” and transforms it into introspection and reflection. At the same time, its quiet emergence from the darkness already points toward “III – Unfolding.” Thus, the middle rose becomes a silent transition between ember and light.

CURATED FOR QUIET SPACES